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Home / Im Never Going to Dance Again Guilty Feet Aint Got No Rythem

Im Never Going to Dance Again Guilty Feet Aint Got No Rythem

1984 unmarried by George Michael

"Never Gonna Dance Again (song)" redirects hither. For the song by the Sugababes, see Change (Sugababes album).

"Devil-may-care Whisper"
Careless Whisper UK single.jpg

UK vii" vinyl release artwork, also used for various international releases
Single by George Michael (most territories)/Wham! featuring George Michael (Usa)
from the album Brand Information technology Large
Released 24 July 1984
Studio Sarm W, London
Genre
  • Pop[1]
  • soul[ii]
  • R&B[3]
Length
  • vi:30 (album version)
  • v:00 (single version)
Label
  • Epic
  • Columbia
  • Sony
Songwriter(due south)
  • George Michael
  • Andrew Ridgeley
Producer(southward)
  • George Michael
  • Jerry Wexler (original)
George Michael (well-nigh territories)/Wham! featuring George Michael (U.s.) singles chronology
"Wake Me Upwards Earlier You Become-Become"
(1984) 		"Devil-may-care Whisper"
(1984) 		"Liberty"
(1984)
George Michael (residue of the world) singles chronology
"Devil-may-care Whisper"
(1984) 		"A Different Corner"
(1986)
Music video
"Devil-may-care Whisper" on YouTube
Alternative embrace
Artwork for the US 7" vinyl release credited to Wham! featuring George Michael.

Artwork for the US 7" vinyl release credited to Wham! featuring George Michael.

"Devil-may-care Whisper" is a song by the English language vocalist George Michael. It was written by Michael and Andrew Ridgeley[4] of Wham! and was released on 24 July 1984 on the Wham! anthology Go far Big.

The song features a prominent saxophone riff, and has been covered by a number of artists since its start release. It was released equally a single and became a huge commercial success around the world. It reached number i in nearly 25 countries, selling nigh half-dozen meg copies worldwide—ii million of them in the United States.[5]

Background [edit]

Composition and writing [edit]

In 1981, Michael was working as a DJ in the Bel Air eating house near Bushey, Hertfordshire.[half dozen] Michael explained in his autobiography, Bare, that he conceptualised "Devil-may-care Whisper" based on events from his childhood. Michael wrote, "I was on my mode to DJ at the Bel Air when I wrote 'Careless Whisper'. I have ever written on buses, trains and in cars. It ever happens on journeys... With 'Careless Whisper' I think exactly where it beginning came to me, where I came up with the sax line... I remember I was handing the money over to the guy on the bus and I got this line, the sax line... I wrote it totally in my head. I worked on it for about three months in my head."[7]

"When I was twelve, thirteen, I used to have to chaperone my sister, who was ii years older, to an ice rink at Queensway in London," he explained. "There was a girl at that place with long blonde pilus whose name was Jane. I was a fatty boy in glasses and I had a large crush on her - though I didn't stand a run a risk. My sister used to go and do what she wanted when we got to the skating rink and I would spend the afternoon swooning over this girl Jane."[8]

"A few years afterward, when I was xvi, I had my commencement human relationship with a daughter called Helen," Michael continued.

Information technology had just started to cool off a bit when I discovered that the blonde daughter from Queensway had moved in simply effectually the corner from my school. She had moved in right side by side to where I used to stand and await for my next-door neighbour, who used to requite me a elevator home from schoolhouse. And one mean solar day I saw her walk downwardly the path next to me and I thought – now where did SHE come from? She didn't know it was me. It was a few years subsequently and I looked a lot different. Then we played a school disco with The Executive and she saw me singing and decided she fancied me. Past this time she was that much older and a large buxom thing – and eventually I started seeing her. She invited me in one day when I was waiting for my lift and I was ... in heaven.[8]

Michael observed that afterwards he stopped wearing glasses, he began getting invited to parties. "And the girl who didn't even meet me when I was twelve invited me in," he noted.

So I went out with her for a couple of months but I didn't cease seeing Helen. I thought I was beingness smart – I had gone from existence a full loser to being a two-timer. And I remember my sisters used to give me a hard time because they found out and they really liked the first girl. The whole idea of "Careless Whisper" was the first girl finding out about the second – which she never did. Simply I started some other relationship with a girl chosen Alexis without finishing the one with Jane. It all got a flake complicated. Jane found out about her and got rid of me ... The whole time I thought I was being cool, being this 2-timer, but there really wasn't that much emotion involved. I did feel guilty about the first girl – and I take seen her since – and the idea of the song was about her. "Careless Whisper" was us dancing, because we danced a lot, and the idea was – nosotros are dancing ... only she knows ... and it's finished.[viii]

Andrew Ridgeley came upward with the chord sequence on his Fender Telecaster he had received for his 18th altogether.[nine] They connected to work together on the music and lyric both at Michael's business firm in Radlett, and Shirlie Holliman's aunt's basement apartment in Peckham, where Ridgeley was living.[9] [x]

Demoing [edit]

The original demo was recorded past local music producer Paul Mex, in January 1982 alongside those for "Club Tropicana" and "Wham Rap! (Savor What Yous Exercise)" in the front room of Ridgeley'due south home (his parents' lounge turned into a makeshift studio) with Mex's TEAC 4-rail Portastudio. Considering almost of the mean solar day was spent on Wham Rap!... and Ridgeley's mother had returned home by that point, Careless Whisper had to be recorded in one take very quickly. It featured a Doctor Rhythm pulsate motorcar, an audio-visual guitar (played by Ridgeley) and a bass guitar (played by Dave West), with Michael'south vocal (recorded with a microphone attached to a broom handle).[eleven] [12] The overall cost of the recording was £20 (largely due to the rental price of the Portastudio) and the duo landed a deal with Innervision by Mark Dean on the strength of the demos.[thirteen] [14]

A more complete and fully realised 2nd demo was recorded on 24 March 1982 at Halligan Band Centre, Holloway, London with a backing band and a saxophone riff.[15] However, on the aforementioned day, Michael and Ridgely were called over by Dean to sign a contract in addition to the record deal, which they did at a nearby greasy spoon café. Michael recalls of that day:

"One of the most incredible moments of my life was hearing 'Careless Whisper' demoed properly, with a band, a sax and everything. It was ironic that we signed the contract with Marker [Dean] that day, the twenty-four hour period I finally believed we had number-one material. That aforementioned day we signed information technology all abroad. Just you can never really know what you are capable of, yous can never really take that foresight."[15]

Production [edit]

The vocal went through at least 2 rounds of production. The first was during a trip Michael made to Sheffield, Alabama, where he went to work with producer Jerry Wexler at Muscle Shoals Audio Studio in 1983.[16] [17] Michael was unhappy with the original version produced by Wexler, and decided to re-record and produce the vocal himself; the 2nd version was the one ultimately released as a unmarried.

Afterwards the backing track and George's vocal had been recorded, Wexler had booked the summit saxophone player from Los Angeles to fly in and do the solo.[18] "He arrived at xi and should have been gone by twelve", recalled Wham! manager Simon Napier-Bell. "Instead, after two hours, he was nonetheless in that location while anybody in the studio shuddered with embarrassment. He just couldn't play the opening riff the manner George wanted it, the way information technology had been on the demo. But that had been fabricated two years earlier by a friend of George'due south who lived round the corner and played sax for fun in the pub."[eighteen]

While the saxophonist appeared to exist playing the part perfectly, Michael told him, "No, it's nonetheless not right, you see..." and he would lower his head to the talkback microphone and patiently hum the office to him all the same again. "It has to twitch upwards a little only at that place! See...? And not too much."[18]

Napier-Bell consulted with Wexler over Michael'due south dispute with the sax sound. "Is in that location really something George wants that's different from what the sax player is playing?" Napier-Bell asked.[18] "Definitely!" replied Wexler.

"I've seen things like this before. In that location'south some tiny nuance that the sax player is somehow not getting right. Although you and I can't hear what it is, it may be the very matter that volition make the record a striking. The success of pop records is so ephemeral, and so unbelievably unpredictable, we just tin't take the hazard of being impatient. But this sax histrion's non going to get information technology, is he!"[18]

The version Wexler produced was released later in the yr, as a (iv:41) B-side "Special Version" on 12" in the U.k. and Japan.

The record label Innervision was going to put out the Wexler version of "Careless Whisper" afterward the Club Fantastic Megamix as early every bit 1983. Vocal publisher Dick Leahy said that while he could non stop the release of the Club Fantastic Megamix, he could stop the release of this single on the basis that equally a publisher they "have the correct to grant the first license of the recording of a tune of which he controls the copyright". He was unable to do anything about the Society Fantastic Megamix because information technology was already released material. He said: "We knew how big that song could be, then it was necessary to upset a few people to finish information technology."[19] Towards the end of 1983, Michael was besides committed to touring with Wham! to promote Fantastic, then according to him information technology would not have made sense to release "Careless Whisper" as a solo single in the center of the tour, despite information technology being part of the setlist.[twenty]

Michael later went back to London's Sarm West'south Studio 2 to re-record the track, the backbone of which was washed with a live rhythm section in one take, with "loads of stuff bunged on [overdubbed] later on" equally Michael added, although the experience of information technology was basically live.[21] [22]

Michael elaborated on the song's production and how it turned out in the end:

"Jerry Wexler did i recording of "Devil-may-care Whisper" with me. Then we re-mixed that, which meant re-shooting the video and then we completely re-did the track about iv weeks earlier it was due to exist released. When we originally made it I was totally in awe of Jerry Wexler and it was the offset fourth dimension that I had always felt like that most anybody that I'd worked with. Usually I have problem disarming myself that people know what they're doing. In this instance I had to get drunk in social club to sing, I was so nervous. Anyway, my publisher [Dick Leahy] and I had loads of discussions about whether the record was skillful enough for the song and whether at that place was enough of me in it because information technology just did non audio like me. I said 'it'due south slap-up. Jerry's done a keen job on it', and for the first fourth dimension since nosotros'd started I was blind to what was going on because the song was already 2 and a half years old and I just did not take a clue about where else I could take it. Eventually I just idea, 'sod this. I'chiliad going to become in and do it every bit if it had never been washed before with the musicians nosotros unremarkably use and see what happens.' The rails was much ameliorate because I was relaxed and I retrieve that our musicians did a much meliorate chore than the Muscle Shoals section". [22]

Subsequently hiring and firing several other different sax players, for which the BBC characterized every bit struggling to play all the notes with "the correct corporeality of fluidity and still breathe,"[23] Michael somewhen heard what he was looking for from Steve Gregory.[24]

During an interview with DJ Danny Sun, Gregory said he was the 9th sax actor to attempt the riff. Gregory said Michael'south secretarial assistant had phoned him up midday and asked him to give the solo a try.[25]

"When I got in that location, it was nearly getting on to midnight, and there was another saxophone player in the studio, Ray Warleigh, who I knew quite well, and he said 'what are you doing here?' And George hadn't showed up. So Ray was a bit fed up. He said 'Well I'grand going, you can do it. I've had plenty of waiting.' So he left and it was but myself, and (record producer) Chris Porter. Then I said I've had quite a long day, I'm going to practise a better job now than I will at iii o'clock in the morning, so can we endeavor and practise something? And then we went into the command room and George had already recorded it in LA with Jerry Wexler producing information technology and Tom Scott playing the saxophone line...he said this is what you got to do and he played this and I idea 'That is fantastic, why on Earth does he want to do it once more? I can't play information technology besides every bit that!' And (Porter) said 'Oh, information technology's a new version, he'south done his own production, information technology'south a new runway, it'southward got to be re-done, he just needs that on the new track,' so I went in the studio I tried to do it and my saxophone is an former Selmer (tenor sax) from almost 1954 or something and I didn't accept that pinnacle note. I didn't have a proper annotation on my saxophone, I had what nosotros call a faux fingering I had to do to play it. So it didn't really audio that shine. It didn't sound that dandy. Then having been around for a while, having had a bit of experience, I suggested to him, I said, 'look, if you took it down by a semitone, a very minor amount, I'd have all the proper notes on my horn and we could encounter how it sounds. And so that'due south what he did, he sort of did his calculations and took it down a semitone, so I went out again and I played it in a lower key and when after I finished it I went back into the control room and he played it back and he put it back upwardly to the proper speed, and as he was playing it back, George walked into the studio, and he said 'Oh, I retrieve nosotros got it!' Then he pointed at me and said, 'You are number 9!'"

The officially released unmarried was issued in Baronial 1984, entering the United kingdom Singles Chart at number 12. Inside two weeks it was at number one, ending a nine-week run at the acme for "Two Tribes" by Frankie Goes to Hollywood.[iv] It stayed at number one for 3 weeks, going on to become the 5th all-time-selling unmarried of 1984 in the United kingdom of great britain and northern ireland; outsold merely by the 2 Frankie Goes to Hollywood tracks, "Two Tribes" and "Relax", Stevie Wonder with "I Merely Called to Say I Love You", and Ring Assist's "Exercise They Know It's Christmas?". The song also topped the charts in 25 other countries, including the Billboard Hot 100 in the United States in February 1985 under the credit "Wham! featuring George Michael". Spending three weeks at the top in America, the song was later named Billboard 's number-one song of 1985. The song was #1 on the polish radio top 500 songs of all time chart – proving its iconic status.

Despite the success, Michael was never addicted of the song. He said in 1991 that it "was not an integral part of my emotional development ... it disappoints me that yous can write a lyric very flippantly—and not a specially practiced lyric—and it can hateful so much to then many people. That's disillusioning for a writer."[nineteen]

Music video [edit]

The official music video (which uses the shorter unmarried version instead of the full album version and was directed by Duncan Gibbins, who previously directed "Wake Me Upwards Before You Go-Get") shows the guilt felt past a man (portrayed by Michael) over an matter, and his acknowledgement that his partner (Lisa Stahl) is going to find out. Madeline Andrews-Hodge plays the woman who lures George abroad. Information technology was filmed on location in Miami, Florida, in February 1984[26] and features such locales as Coconut Grove and Watson Island. The final function of the video shows Michael leaning out of a summit floor balcony of Miami'south Grove Towers.[27] [28]

A first original version of the video was edited with the Jerry Wexler 1983 version, and featured Andrew as a cameo, handing over a letter to a dark-haired George. This version had a more than detailed storyline, but was then re-edited subsequently.[29]

Co-ordinate to producer Jon Roseman, production of the video was "A fucking disaster".[30] According to Michael's co-star Lisa Stahl, "They lost footage of our kissing scene so nosotros had to reshoot it, which I didn't mutter about ... Then George decided he didn't similar his pilus so he flew his sister over from England to cut it and we had to reshoot more than scenes."[31]

As the band felt they had "screwed up" the video, farther footage of Michael singing the song onstage was later shot at the Lyceum Theatre, London.[30] The video performance (1984 Version) was officially uploaded to George Michael YouTube channel on 24 October 2009. It has over 852 million views as of 2022.

Track list [edit]

All tracks are written by George Michael and Andrew Ridgeley.

7": Epic / A 4603 (United kingdom)
No. Title Length
1. "Careless Whisper" (Single Edit) 5:04
two. "Devil-may-care Whisper" (Instrumental) v:02
12": Epic / TA4603 (U.k.)
No. Title Length
1. "Careless Whisper" (Extended Mix) 6:31
ii. "Careless Whisper" (Instrumental) 5:02
12": Columbia / 44-05170 (US)
No. Championship Length
1. "Careless Whisper" (Extended Mix) 6:twenty
two. "Careless Whisper" (Instrumental) four:52
12": Columbia Promotional / Equally-1980 (Usa)
No. Title Length
1. "Careless Whisper" 4:50
2. "Careless Whisper" 4:fifty
12" maxi: Epic / QTA 4603 (UK) – Special Edition
No. Title Length
1. "Careless Whisper" (Extended Mix) 6:31
2. "Careless Whisper" (Jerry Wexler Special Version) 5:34
3. "Careless Whisper" (Condensed Instrumental Version) 4:52
  • Note: The Extended Mix is identical to the album version from Brand Information technology Big.

Credits and personnel [edit]

  • George Michael – lead and bankroll vocals
  • Andrew Ridgeley – audio-visual guitar (uncredited)
  • Steve Gregory – saxophone
  • Deon Estus – bass
  • Trevor Murrell – drums[nb i]
  • Chris Parren – keyboards
  • Anne Dudley – keyboards [33]
  • Hugh Burns – electric guitar
  • Danny Cummings – percussion

Credits adapted from the Extended Mix's liner notes.[34]

Charts [edit]

Certifications [edit]

Encompass versions [edit]

"Careless Whisper" has been covered past many other artists. Amidst the most significant versions are:

  • Sarah Washington on a trip the light fantastic version that peaked at number 45 on the UK Singles Chart (1993).[93]
  • 2Play produced a embrace version in 2004. Information technology charted at number 29 in the Uk.[94]
  • Kamasi Washington and El Debarge performed it to pay tribute to George Michael at the 2017 BET Awards.[95]
  • South African alternative rock band Seether covered the song on their 2007 album Finding Dazzler in Negative Spaces. It charted at number 63 in the US.[96]
  • Dutch rapper Lil' Kleine sampled the chorus for his song, titled "Dansen", on his most contempo anthology Ibiza Stories.[97]
  • Saxophonist Dave Koz recorded a cover version for his 1999 album The Dance, featuring Montell Hashemite kingdom of jordan on lead vocals; in 2000 the song peaked at number xxx on Billboard'south developed contemporary nautical chart.[98]

See likewise [edit]

  • List of best-selling singles in the United Kingdom
  • List of number-i singles in Commonwealth of australia during the 1980s
  • Listing of Dutch Height 40 number-ane singles of 1984
  • List of number-i singles of 1984 (Republic of ireland)
  • List of number-1 hits of 1984 (Switzerland)
  • List of number-ane singles from the 1980s (UK)
  • List of RPM number-1 singles of 1985
  • List of Hot 100 number-one singles of 1985 (U.Southward.)
  • List of number-one developed gimmicky singles of 1985 (U.S.)

Notes [edit]

  1. ^ The proper name of Wham!'southward drummer was Trevor Murrell.[32] He is listed on the liner notes as Trevor Morrell.

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External links [edit]

  • Devil-may-care Whisper sheet music PDF

stacedresill.blogspot.com

Source: https://en.wikipedia.org/wiki/Careless_Whisper